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We’ve updated our Terms of Use. You can review the changes here.

So Common

by Carlo dell'Aquila

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1.
I opened my eyes and continued to fall through the dark night that knew no end. I choked on dead air and felt the crushing weight of my flesh. I faced death, exhausted and thin with twisted arms pinned behind my back. I longed for resolve. I yearned for release: to be at rest in my body.
2.
Beneath my feet, the warm black tarmac unfolded and bent in ribbons and cracks. Green and gold once blossomed in the creases, but soon, this place was fucked by scavengers and left to blanch in excruciating heat. These are the things that kill me. Out in the dark, the stench of sulfur hung in the air: a menacing smog. Red, white, and blue sparks fade out in the distance, but the screeching echoes of these flash-bang nightmares haunt the blistering silence. These are the things that kill me. Car alarms and neon signs blind and stifle my senses. Engines groaning, tires screeching, a bloodcurdling scream pierces the heart of my waning sanity. Even in the stillness of the hot orange night, I cannot find rest. These are the things that kill me. Every day is somehow more unsatisfying and at the same time more preposterous than the last. I see the fire; I see the end. Unless we confront ourselves and our history of greed, oppression, and misogyny, these are the things that kill me.
3.
4.
Beyond the veil, a fluttering: I hear your voice; it speaks to me. “Look within; that’s where I’ll be.” Upon the arch, a curtain sways. I long to feel your soft embrace. I hold you close; it’s not too late. But now, you’re gone, and we are left: a world astray, we hold our breath. I look within; I pound my chest. But don’t you know there is no end; there’s no goodbye for us, my friend. Be well until we meet again.
5.
One day, I will no longer exist, unfettered by this temporal rind. But until then, I will seek to entwine yours and mine. One day, I will no longer insist, untethered from spaces and time. But until then, I will seek to align body and mind. One day, I will no longer take shape but forfeit to this mortal plight, fracturing spirit and flesh in flight. One day, I will no longer hold weight but surrender myself and ignite, dissolving these hollow bones in light.
6.
We’ll rise as one; we’ll rise again. Our hurt and doubt will face its end. Our eyes will be wet with clarity. Our bodies will float in antigravity.
7.
But don’t you know that we cannot erase what we’ve done? Pain and loss are all that remain. Our end has begun. We spiraled out; we fucked ourselves. Mark these words: forgive no one. Cast your blame. Play your game. Pierce your tongue. Bear your shame. How can we move on unless we change our heinous hearts? Cast into searing flames, this monstrous hate could burst apart. Ghostly visions remain of these men crushing down: with their pale hands pressed on our mouths, their calloused palms muffle the shouts.
8.
Close your eyes, and see my face. I am all around you. Be with me: blood and flesh, skin and bone. Bare your soul, and penetrate. Be here in this moment. We are one ever more. I am you. Clutch your wrist, and feel my blood, red with admiration. I am there in your smile: a reflection. Cling to hope, and cast off doubt. We are everlasting. We will find in our lives a stillness. . . . . . . . . . I stumbled through the night. I trembled with fury. I cried out violently. I suffocated. I coughed and wretched. I searched and fumbled. I cracked and ached. I fractured. But don’t you know that we can’t change the past? And I cannot forget all the pain and the loss I’ve suffered. But what’s the use of trying to pretend I’ll be forgiven when alone, I go to my deepest grave? I sat idle in a concrete prison. I wilted in excruciating heat. I surrendered to a searing grief. I pounded a clenched fist on linen. I lost myself in blistering sorrow. I forgot how to remain on steady ground. I tumbled through a broken window. I bent and crumpled on the asphalt. But don’t you know that we can’t change the past? And I cannot accept or persist through my grievous failure. But what’s the use of trying to pretend I’ll be remembered when alone, I go to my deepest grave? I stared out my back window. I prayed to the God of Capricorn. I conjured a simmering strength. I steeled myself for crushing reckoning. I bellowed into blinding darkness. I gazed into uninhabited emptiness. But the stars only stared back unblinking and indifferent. But don’t you know that we can’t change the past? And all of these ghosts will follow us into our deepest graves. But what’s the use of trying to pretend we’re someone else? Lean into this, and dissolve in death.

about

SO COMMON is the sophomore studio album from Carlo dell'Aquila.

If you would like to reach out to us for any reason at all, we welcome that, and we would love to hear from you. Our primary mode of communication is Instagram. Our handle is carlo_dell_aquila.

www.instagram.com/carlo_dell_aquila/

We can also be reached via email. Our email addresses are as follows. (Be sure to replace each "(at)" with an @ symbol.)

for.love.of.carlo(at)gmail.com
j.nigh.mangram(at)gmail.com

SO COMMON is conceived and written by Dylan C. Beck; composed, performed, engineered, and recorded by Dylan C. Beck and Danilo Uomo; and produced, mixed, and mastered by Dylan C. Beck with words written by Dylan C. Beck and instruments programmed or performed by Dylan C. Beck and Danilo Uomo. Additional piano engineering comes courtesy of Michelle Pellegrino.

Recorded from August 2020 to July 2023 at the Cats' Room, West 36th, Boudoir Camille, the Theater of Dreams, and Le Sous Sol in Kansas City, MO; South Palisades Repository and Day Spa and the Downtown Church in Springfield, MO; and Fr. Tolton Catholic High School and CoMO Country Home in Columbia, MO. Other field recordings were captured near Potter Lake at the University of Kansas in April 2019 in Lawrence, KS, and at various locations around Kansas City, MO, from January 2020 to September 2021.

Mixed from June 2021 to July 2023 at West 36th.

We extend our deepest gratitude to all involved in the process of making this record. We are forever indebted to MP, CP, KT, ME, JG, and JN for allowing us into their homes to record. Very many thanks to Brian Mattson and Laurie Lampert at the Downtown Church for affording us the space and resources for additional piano recording.

To Aaron, Andrea, Annie, Ben, Bilinda, Björk, Conor, Dan, Dave, Efrim, Elliott, Frank, George, Isaac, Jens, Kerry, Matt, Omar, Peter, Phil, Morrissey, Stephen, Sufjan, Tahliah, William, Zach, and Zach.

credits

released July 29, 2023

Dylan C. Beck: vocals, Gretsch G9500 Jim Dandy™, Indiana Scout, Epiphone Les Paul Standard, Fender Duo-Sonic, Squier Mustang Vibe, Fender Mustang PJ, drums, Behning & Sons Baby Grand (ca. 1930), Baldwin Hamilton, Casio CTK-4400, Casio CT-X700, Wurlitzer Funmaker, eBow, distortion, noise, field recordings, lyrics, drum programming, synth programming, production, mixing, mastering, photography, cover artwork, videography, website design, typography

Danilo Uomo: horns, violin, Casio LK-55, Casio SA-75, perpetuity

Justin Kingery: band photography

Michelle Pellegrino: assistant engineer, creative direction, videography

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Carlo dell'Aquila Kansas City, Missouri

Uniting once again, Dylan C. Beck and Danilo Uomo are Carlo dell'Aquila.

Conceived originally as a spiritual successor to late-era Talk Talk, Carlo dell'Aquila combines the haunting lyricism of Sufjan Stevens with the swirling dream pop of the Antlers and cosmic mysticism of the Microphones; the result is a sound that demands to be heard. ... more

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